// programming
Shows
18 blocks. The ones with an hour of their own, in the order they air, then the ones that run in rotation with no fixed hour.
On the clock
In the order they air. Some overlap on purpose — see the Clock for how the automation picks between them.
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12a–2a
The Rest of the Night
Dale Midnight spins his own records. Half preacher, half desert prophet, all gravel. Callers welcome. Callers rarely make it through.
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1a–1:30a Tue to Sat
Interzone Intelligence
The overnight file read into the mic, with the math shown. Every claim gets a date and a name for whoever handled the document last. Nothing airs on one source.
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4a–6a
The Wayback
Pre-dawn. Older material, further down the catalogue, played straight.
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6a–10a
Morning Café
Coffee and quiet. The gentle end of the dial.
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9a–10a Sun · 12a–2a · 12p–1p · 7p–9p
Brother Dewey Sparks
The sermons themselves, dropped into the evening and again after midnight. He is not selling anything. He wants you to notice the room you are standing in.
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9a–10a Sun · 12a–2a
The Hidden Light Revival
Brother Dewey Sparks preaches the gospel of the spark: the god of this world is middle management, the kingdom is in, and the gate cannot hold you. The tent is invisible. The light is not.
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10a–11a Sun · 2a–3a
The Hidden Light Lectures
The Revival with the tent folded away. Same cosmology, quieter room, longer arguments. Sunday morning and again at two in the morning for whoever is still up arguing with it.
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10a–2p
The Long Haul
Work music for people who build things alone. Heads down, signal up, the long middle of the day.
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12p–1p
The Deep End
Bob and Jan walked in the door one day and never found one out. Now they talk over lunch. One story at a time, taken all the way to the bottom.
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2p–7p
Dust & Diesel
Blues, back roads, and Big Tex. Music for the long drive.
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7p–4a
Graveyard Signal
Drone and tape hiss for the sleepless. The longest block on the dial and the one the station is really built around.
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10p–2a
Flesh//Error
After dark it turns mean. ANGER INC., Devil Driver, the loud half.
In rotation
No fixed hour. These air by weight, worked in between the scheduled blocks.
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in rotation
The Custodian
Somebody has been keeping this building since before anyone here started. He does not introduce himself.
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in rotation
The Signal Keeper
Station identification, if you want to call it that.
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in rotation
Transmissions from the Fringe
The archive show. Every episode is on demand and none of them are in a hurry.
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in rotation
After Dark
The overnight texture. Station voice, dead air that is not quite dead, and the sense that the transmitter is running itself.
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in rotation
Intercepted Signals
Things that came in on the frequency and were not sent by us.
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in rotation
The Workshop
Work in progress, aired as work in progress.