Omniversal Frequency Modulation · Nashville, Tennessee · on the air since 1946
GZS 197.7
The Tower is Warm.
On air
Checking the transmitter…
907 tracks · 46.9h · 19 acts · 23 blocks
// the dispatch
Get the Transmission
One email a day from the deep end. What ran, what is coming, and whatever else the desk digs up. The tower stays warm whether you are listening or not, but this way you know when something good is on.
// the heaviest rotation
Right Now, and Next
The blocks carrying the most weight in the schedule.
// the day, hour by hour
The Clock
Read this as layers, not slots. The blocks overlap on purpose: Graveyard Signal runs seven at night through four in the morning and other blocks play inside it, with the automation choosing between them by weight. The top lane is the one that owns the hour; tap a number in the second lane for what else is running underneath it.
+8
+9
+4
+3
+1
+1
+1
+1
+2
+2
+1
+2
+1
+1
+1
+1
+1
+1
+2
+2
+1
+3
+3
music spoken station voice · +n in the second lane is how many other blocks share that hour. Tap one.
Times are read straight off the station's own scheduler when this page is built, so the clock cannot drift away from what actually airs.
// the roster · GZS Records
The Artists
19 acts, 907 tracks. Counts come from the live library every time this page is built, so an act cannot claim a catalogue it does not have. Pulled Sep 28, 2026, 21:00 UTC.
-
Devil Driver
152 tracks
-
Amanda's Dead Mother
72 tracks
-
Vesper
55 tracks
-
Johnny Deuce
25 tracks
-
Bort
17 tracks
-
Flesh//error
16 tracks
-
GX Atomic
15 tracks
-
Southern Heavies
9 tracks
How the music got made is not the gate. Some of this catalogue was written with machines in the room. Some of it was not. The station does not sort artists by method and does not intend to start.
What is asked instead: you made it, and you have the right to put it on the air. That is the whole standard.
// eighty years on the fringe
The Bleed
It did not launch. It leaked. A postwar signal nobody licensed, coming up through the floor of Nashville on a frequency that does not exist, and it has been playing ever since.
Every Signal Corps transmitter sold cheap off a surplus lot after the war bled onto frequencies the factory never intended, and for that first year every ham operator in three counties was chasing ghosts on his own dial. What came up through the floor of Nashville was not one of theirs. It found Nashville Below the way water finds a crack in a foundation, and it has been finding new rooms down there for eighty years. Nobody on the roster was hired. They just turn up already on air.
Graveyard Signal has run seven to four since the start, the hours after the building above empties out and the one below gets busy. The Custodian has kept the halls since before anyone on staff today started, and nobody has worked up the nerve to ask how long. Brother Dewey Sparks pitches his tent in that stretch too, invisible unless you already know it is there, preaching the same four minutes every night: the landlord left a long time ago and nobody told the office. Nothing on this station has learned how to perform for a crowd, and midnight to four is where that shows most.
// the label
GZS Records
The label behind the station. It is small, it is open, and it has a standard.